Yesterday, I had the chance to revisit the jaw-dropping metal wildstyle sculptures of Mare139 — and let me tell you, I was completely blown away.
For those not already in the know, Mare139 (aka Carlos Mare Rodríguez) is a name that resonates with graffiti writers and street art lovers around the world. While many contemporary street artists are just beginning to dip their toes into the fine art world, Mare139 has been bridging the gap between graffiti and high art since the early 1980s. Not only is he celebrated for his iconic B-boy series, but his groundbreaking 3D graffiti sculptures have set the gold standard for graffiti as sculptural art.
Here’s a quick history lesson: Mare139’s pivotal moment as a sculptor came in 1985 with his Metal K sculpture. This piece reimagined graffiti lettering, transforming it into a bold, spatial experience by peeling, folding, and warping it into new dimensions. By 1986, his work evolved beyond traditional graffiti aesthetics, embracing influences from Constructivism, Cubism, and Futurism—yet still holding onto that unmistakable graffiti spirit. His ability to innovate while staying true to his roots is what makes Mare139 a legend in both graffiti and fine art circles.
For a deeper dive, check out the excellent interview with Mare139 on Graffuturism. It’s packed with insights into his journey, his inspirations, and his reflections on graffiti as an evolving art form.
Mare139’s work is a reminder that graffiti isn’t just a statement on walls—it’s a force that can reshape entire artistic landscapes. If you ever get the chance to see his sculptures in person, don’t miss it.
Street art enthusiasts, let’s hear your thoughts: How do you feel about graffiti stepping into the realm of sculpture and fine art? Does it elevate the culture, or does it risk losing its raw edge? Share your views!
Mare139 wildstyle graffiti
Mare139 sculpture